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SAFE: Design Takes on Risk

Armor

To be safe, we need protection from many threats. When those threats come in close proximity, we need armor. Just like shelter, armor can be physical or psychological, imperceptible or massive and unwieldy. Most examples of extreme protection are wondrous in the way they visually foretell the intensity of danger -- a shark suit, for instance, or a bullet-resistant face mask. Armor of all kinds has historically embodied both craftsmanship and symbolism; the armor that soldiers wear has been designed not only to protect, but also to project intimidating signs of superiority, whether technical, spiritual, or physical.

Protective garments and accessories rely on materials that allow them to perform as thicker skins or outer shells of the human body. The difference between ordinary sunglasses and laser-protection eyewear lies in the materials used, as does the difference between common rain boots and acid-resistant overshoes.

Depending on the type of protection needed, engineers and designers today have a whole range of customized combinations of materials at their disposal. Advances in technology have opened up many possibilities, especially with the introduction of insulating gels, fiber composites, and new materials such as Kevlar or Gore-tex.

This progress has made armor lighter and more flexible, allowing for more freedom of movement and agility -- an important feature when an emergency necessitates rapid escape. Moreover, the possibility of infusing the materials themselves with chemical properties has brought about antibacterial and SPF fabrics, to name just a few of the many areas of innovation.

Despite technological advances, nearly every example of man-made armor can be compared to one found in nature -- the shell of an insect, for instance, or the fur of a mountain animal. New materials that offer protection bring us closer than ever before to the efficiency of nature.

Armor Highlights  Click images for larger view in a new window.

As with shelter, armor can address physical or psychological needs and provide protection from many threats, such as the sun, mines, police batons, and bombs. Armor has historically embodied both craftsmanship and symbolism. Selected for the intensity and innovation of their designs, examples in this section include:

Gayla Rosenfeld (Israeli, b. 1977), from the Industrial Design Department of the Bezalel Academy of Art and Design in Israel (est. 1906), designed a headscarf (2003), reminiscent of the Muslim hijab, made of knitted stainless steel and secured with knitting needles, providing protection to a woman while maintaining her religious identity.

Ralph Borland's (South African, b. 1974) Suited for Subversion (prototype, 2002) is a civil-disobedience suit made of nylon-reinforced PVC and padding designed to protect street protestors from police batons. The suit includes a small speaker in the center that amplifies the heartbeat of the wearer, creating tension and excitement in a protest setting, and a wireless video camera mounted over the head that acts as a witness to events.

Med-Eng Systems, Inc. (Canada, est. 1981) offers advanced personal protection ensembles and tools for mine clearance and demining. The CHP100 Conical Hand Protector (2001) provides shields for the upper limbs of those searching for mines.

The Mojo Barrier (1998), designed by John Mulder (Dutch, b. 1955) and Rob de Boer (Dutch, b. 1943), is a freestanding, modular, aluminum crowd-control barrier used at concerts. The weight of the crowd prevents the barrier from sliding and tipping over, yet it collapses in the event of a stampede. Manufactured in Holland, this system has become the world standard for big concerts.


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